Steven Universe在表达上真的很宽容 “上位者”在未接触“下位者”之前是一个妥妥的孤高种族歧视者而这种“歧视”源于对不了解事物的无知或者长期生长在这样的制度下被体制高度同化“我”的价值或者别人的价值来源于更高一级的人的定义很少有人会去质疑反而会认同为无上的光荣 SU对这类人并没有太过苛责尽管它在立场上是反歧视的SU相信羞羞漫画通过真诚地了解、接触一切都可以感化事实上这样一个一开始讨人厌的大反派种族主义者(甚至是灭绝者)在后期意识到自己一直以来的价值观是错误的、放下种族观念后的确逐渐讨喜 但放到现实中却又是悲观的因为人不断地被错误的价值观所裹挟常常无法逆转当然我觉得SU也传达了这一点崩坏了的东西就永远无法逆转了但崩坏是表象它始终有好的一面
三百X三百:106.86.165.23
The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.